LOVE AND OBLIVION OPENING: August 5 2021 7:30pm - 12:00am
JOIN US AT: SLOUGHt 4017 Walnut ST Philadelphia, PA, 19104
Free & open to the public
Love and ObliviON
An
exhibition exploring queer possibilities of affirmation, extravagance, and extinction.
Slought is pleased to announce Love and Oblivion, exploring queer possibilities of affirmation, extravagance, and extinction, on display at Slought from August 5, 2021 through September 9, 2021.
Photo by the legendary John Carlo Dionisio @john.carlod, Stylist/ MUA: Zay.ali
Debuting - Ashani Oblivion daughter of Beatrix Draco from the house of Draco’s
The event is free and open to the public, and has been curated by Arien Wilkerson of Tnmot Aztro.
OPENING: An opening performance/rave will take place on Thursday, August 5, 2021 from 7:30pm-12am.
Rave set by Nu Mafia
The exhibition features work by artists including Kevin Hernández Rosa, Zygote, Domsentfrommars, ARL, Qiaira Riley, and Arien Wilkerson whose work serves as a commentary on love, loneliness, and the search for meaning amidst the pandemic.
For many, the isolation and suffering caused by COVID-19 led many to reflect on their own oblivion. Emotionally, loss and grief took hold inside many in our communities as we pondered our own extinction, even as we challenged ourselves to find new ways to relate to ourselves and one another.
This was especially pronounced for many individuals in the Queer community, who experienced additional feelings of uncertainty on top of their everyday oppression. Some were forced to quarantine with people in their lives who made them feel unsafe, while others managed to foster new relationships in rebellion against the constant uneasiness of the circumstances. This exhibition invites us to consider how these times have profoundly altered how we cared for one another and ourselves, as well as how we frame and think about love itself.
Photo by the legendary John Carlo Dionisio @john.carlod, Stylist - Mother - MUA - Visionary @zay.ali
Debuting - Ashani Oblivion daughter of Beatrix Draco from the house of Draco’s @zay.ali
In her book Wayward Lives, Beautiful Experiments (2019), Saidiya Hartman examines Black intimate life in Philadelphia and elsewhere, and explores the wayward lifestyles that many Black women developed in the early twentieth century in the wake of past confinement, flight and captivity. Black women, she writes, sought "to wander, be unmoored, adrift, rambling, roving, cruising, strolling and seeking." Love and Oblivion seeks to similarly convey the wayward lifestyles of queer Black trans women, Black trans nonbinary, and other gender nonconforming individuals during this pandemic. At the same time, the project also conveys how many came to reject the Afrofuturist belief in endless possibilities. "Already fighting for existence with the puissant, internalized omnipresence of chattel slavery," curator Arien Wilkerson argues, a different relation to futurity emerged for many in these communities. The desire to not be remembered and to be actively forgotten by the public emerged, as did a desire to exist alongside the void of obscurity, nonexistence, and emptiness. Beyond pain and suffocation, beyond the very idea of futurity itself, Love and Oblivion seeks to stage the existential condition of living with "no future" -- a manifesto, in effect, for radically accepting all that is unknown.
Oblivion is beyond the idea of future, it's no future. The exhibition also lives in a state of no future, where we think beyond just the mechanics of black Afro futurism and how those mechanics can seem like utilitarian geometrical notions of the solidity and at times commentary on how we constantly live in a state of trying to figure out the unknown future."
-- Arien Wilkerson
JOIN US: August 5 2021 7:30pm - 12:00am with an opening performance by Zygote, Domsentfrommars, and Arien Wilkerson and Rave set by Nu Mafia
SLOUGHT 4017 Walnut ST Philadelphia, PA, 19104
Free & open to the public